It seems that most days bring a new online article or news segment about the casualisation of the workforce, sky-rocketing house prices, stagnant wages, and general catastrophe for younger generations to navigate and establish a life in. Luckily for these two twenty-somethings, they’ve simply decided to not be stressed anymore.Continue reading →
Desire and power: it’s a tale as old as time played out countlessly in the artist/muse dynamic. “Symphonie fantastique” by Hector Berlioz is one such example of a multi-layered attempt to capture the fluttering beauty of unrequited love. Using this 19th century composition as the inspiration, Little Eggs Collective inject some queer imaginary and disco fever for a hallucinatory story of revenge.Continue reading →
Life doesn’t stop for anyone. For this Lebanese-Australian family, they want to focus on their son and nephew’s christening but uncomfortable truths, family secrets, and the tension between love and belief threaten to unravel the carefully orchestrated day. It wasn’t what Danny planned for, but he may have found the limit of his family’s unconditional love.
A boy wants to become a composer but his controlling father forbids it and so he runs away, changing the course of not only his own life but that of his lover and their undetected unborn son. Adapted from the middle grade novel by Jamila Gavin, Coram Boy dives into 17th century England to explore class divides, the Baroque music scene, and the underbelly of the human trafficking industry.
Everyone’s been there; at a Halloween party, trying to have a spooky time, and accidentally opening a portal to Hell. Writer Qui Nguyen’s work is well-known for integrating gore and horror tropes with puppets, humour, and a lot of fight choreography. This Australian premiere of his play Alice in Slasherland sees the Lewis Carol story turned on its head.
Angels in America: A Gay Fantasia on National Themes is a piece of the queer canon for the way it depicts the state of America, specifically New York, during the AIDS epidemic of the 1980s. Tony Kushner’s remarkable script overlaps the lives of five gay men and their families, nurses, coworkers, and neighbours over two parts, approximately six and a half hours of stage time, while also establishing these stories deeply within the political, economic, and social framing of the Reagan years.
In a world premier, Justin Fleming connects Adolf Hitler and Richard Wagner across time through a love of art and opera. Asking the tough questions about want, creation, and responsibility, DRESDEN seeks to complicate the way we interpret both small moments and their influence on the large names of our history.