Exit the King | Red Line Productions

Image by Robert Catto

After four hundred years King Berenger’s kingdom is crumbling. He is no longer nature’s master, his armies have deserted, and his doctor predicts his death imminently in an hour and a half. In Megan Wilding’s imagination, the king isn’t merely Eugene Ionesco’s belligerent every man, but the end of the world as we know it and an opportunity for someone new.

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Lady Tabouli | National Theatre of Parramatta

Image by Robert Catto

Life doesn’t stop for anyone. For this Lebanese-Australian family, they want to focus on their son and nephew’s christening but uncomfortable truths, family secrets, and the tension between love and belief threaten to unravel the carefully orchestrated day. It wasn’t what Danny planned for, but he may have found the limit of his family’s unconditional love.

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Gloria | Outhouse Theatre Co & Seymour Centre

Image by Clare Hawley

New York City is a media capitol of the Western world and it generates a mythical image of power and success for budding writers like those working the magazine office of Gloria. But dreams don’t last forever and the facade quickly falls to reveal more to the characters than they perhaps cared to know. What builds and backs ambition? And what happens when times runs out?

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Fierce | Red Line Productions

FIERCE 5

Image by Clare Hawley

Suzie Flack has eschewed “women’s” sport for the real, original, men’s league of AFL. She has always been as good as the boys, ie better than the girls, and she wants her chance to prove herself as the first woman to ever play for the men’s team. Fierce is a complex examination of gender, bodies, ability, and want within the all-Australian realm of professional sport.

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Angels in America | Apocalypse Theatre Company with Red Line Productions

Apocalypse Theatre presents Angels In America Part II: Perestroika

Image by Robert Catto

Angels in America: A Gay Fantasia on National Themes is a piece of the queer canon for the way it depicts the state of America, specifically New York, during the AIDS epidemic of the 1980s. Tony Kushner’s remarkable script overlaps the lives of five gay men and their families, nurses, coworkers, and neighbours over two parts, approximately six and a half hours of stage time, while also establishing these stories deeply within the political, economic, and social framing of the Reagan years.

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