Alistair McDowall’s alternate version of Manchester is part game, part gritty crime drama, and part sci-fi thriller as the characters navigate their shifting and unreliable narratives. Pomona and The Girl are only myths until they become reality for those that choose to get involved.
A young boy gets taught that good things come to good people and he believes it until the difficulty of disappointment hardens that optimism and lets it flake away. Good Dog watches a boy grow into a young man and learn to process power and pain to make the best of his lot.
In all the conventional ways Sandra is just a single mom doing her best to make ends meet after her husband left her while still providing the nurturing and stimulating environment her growing child needs. The only difference is that her son Trevor is actually a chimpanzee and the older he gets, the more precarious their position in the town becomes.
The Rime of the Ancient Mariner by Samuel Taylor Coleridge is a seminal text in English Romantic literature which many Australians would have encountered in a high school classroom. It’s a poem detailing the penance an old mariner must pay for a moment of arrogance and cruelty against a “lesser” being. Little Eggs’s reimagining for the stage adds texture and movement, bringing new life to an old text.
We are living in desolate times. Politically, socially, and economically the Western world is struggling. YEN, a 2013 play from English playwright Anna Jordan, zeros in on a flat in a dodgy English town called Feltham and the small horrors that take place there. Under different circumstances, this could be a simple boy-meets-girl love story; but under different circumstances it might not have happened at all.
In a world premier, Justin Fleming connects Adolf Hitler and Richard Wagner across time through a love of art and opera. Asking the tough questions about want, creation, and responsibility, DRESDEN seeks to complicate the way we interpret both small moments and their influence on the large names of our history.
Based on Eimear McBride’s 2013 novel of the same name, A Girl is a Half-Formed Thing is a brutal and unrelenting portrayal of the life of a young Irish woman from before her birth into her early 20s. Seeming to move from trauma to trauma and diving deep into the horrors of poverty, sexual, physical, and emotional abuse, illness and death, the protagonist understandably struggles to understand herself through the lenses that the surrounding world imposes on her.