Falsettos | Theatre & Company

Despite beginning a gay relationship, leaving his family, and having his wife marry his psychiatrist, Marvin is determined to maintain his tight-knit Jewish family even if it means cold shoulders around the menorah. The final two acts of a one-act musical trilogy combine to tell the story of a not-so-normal family and its not-so-nice head.

Continue reading →

Lady Tabouli | National Theatre of Parramatta

Image by Robert Catto

Life doesn’t stop for anyone. For this Lebanese-Australian family, they want to focus on their son and nephew’s christening but uncomfortable truths, family secrets, and the tension between love and belief threaten to unravel the carefully orchestrated day. It wasn’t what Danny planned for, but he may have found the limit of his family’s unconditional love.

Continue reading →

Mea Culpa | FORM Dance Projects and Riverside Theatre

Image by Heidrun Lohr

The audience enters a smokey display room or warehouse space with frozen mannequins in tense suspension of the entrance of their leader. Under her authoritarian instruction the ensemble bend and eventually break out of their restrictive moulds to take control over their own bodies. Mea Culpa is an abstracted exploration of female bodily autonomy and the power of cooperation to overthrow systems of oppression.

Continue reading →

My Best Dead Friend | Zanetti Productions with Riverside Theatre

Image by Chris Sullivan

Death changes everything: suddenly there’s a before and after, the continuity of a life cleft in two. In My Best Dead Friend, Anya spreads herself across this boundary to tell the story of her best friends including the Australian one, the clever one, the best one, and the dead one.

Continue reading →

The Sapphires | HIT Productions

Inspired by true events, The Sapphires tells the origin story of an Aboriginal girl group on tour to entertain the troops in Vietnam. The four sisters bring their everything to the band and, over the long, hard few weeks away, they learn a lot more about themselves and the shifting dynamics of their childhood relationships.

Continue reading →

Take Two: A Comedy of Errors | National Theatre of Parramatta

Lindy Sardelic, Gabriel Fancourt, Mansoor Noor, Bilal Hafda, Libby Asciak

Image by Noni Carroll

Enemy cities, a tragic shipwreck, two sets of twins separated indefinitely: so goes Shakespeare’s farce A Comedy of Errors. In Hilary Bell’s adaptation for the National Theatre of Parramatta, the story retains all the instances of mistaken identity, unfulfilled plans, wrongful arrests, and a near execution while injecting a bit of Western Sydney flair.

Continue reading →

Girl in the Machine | National Theatre of Parramatta

49 Girl in the Machine June 2019, Noni Carroll Photography-

Image by Noni Carroll

Girl in the Machine imagines a future where the messy, complicated, and thankless jobs of care are automated. Sanitised of human contact and compassion, hospitals and medical professionals are obsolete, replaced by a small earpiece called Black Box. Focusing in on one marriage, Stef Smith’s play covers the conflict between technology and human connection, addiction, love, and the philosophy of life.

Continue reading →