Tom arrives at a rural farmhouse with the expectations of an uncomfortable but predictable encounter with his deceased partner’s family. His presence, though, unravels a long string of lies and secrecy stretching from William’s childhood into their relationship, right up until he died. Perhaps even more unexpected, though, is what Tom learns about himself deep in the muck of the farm.Continue reading →
You know, sometimes, the best solution really is to kill the King. At least that’s what Ma and Pa Ubu have been convinced of by the Prime Minister of Pooland and his lackeys who need the King overthrown so they can make more money through their mining empire. What they didn’t anticipate was Pa Ubu caring even less for his fellow humans than they do.Continue reading →
Every few years a movie gets released with a central gay character whose life is tragedy and whose story ends in a tear-jerking death. And every time this reignites a conversation about this seemingly inescapable link between queerness and death. Is it a curse from God? Is it unresolved trauma from the AIDS crisis? Is it pedestrian homophobia? Or is it true?Continue reading →
Life comes at you fast or, rather, if you’re already on the wrong side of things, the systems of “justice” and “fairness” will take your life away from you fast. Deep in the heart of those structures, it’s always easier, even preferable, to blame an individual rather than the circumstances.Continue reading →
After David Henry Hwang became the first Asian American to win a Tony award for his play M. Butterfly, his new positioning within the American theatre world became difficult to navigate. Now an unintentional spokesperson for Asian American theatre-makers, the next few years of Hwang’s life and career were complicated, to say the least.Continue reading →
Digital technology promises so much: convenience, control, your wildest desires just a few clicks away. What this technology can’t do, though, is tell you what it all means. How has 24-hour access to the internet changed our relationship to the world and the people around us? Or, if we can’t stop it from taking over, does it matter?Continue reading →
Alistair McDowall’s alternate version of Manchester is part game, part gritty crime drama, and part sci-fi thriller as the characters navigate their shifting and unreliable narratives. Pomona and The Girl are only myths until they become reality for those that choose to get involved.
A boy wants to become a composer but his controlling father forbids it and so he runs away, changing the course of not only his own life but that of his lover and their undetected unborn son. Adapted from the middle grade novel by Jamila Gavin, Coram Boy dives into 17th century England to explore class divides, the Baroque music scene, and the underbelly of the human trafficking industry.
In all the conventional ways Sandra is just a single mom doing her best to make ends meet after her husband left her while still providing the nurturing and stimulating environment her growing child needs. The only difference is that her son Trevor is actually a chimpanzee and the older he gets, the more precarious their position in the town becomes.
We are living in desolate times. Politically, socially, and economically the Western world is struggling. YEN, a 2013 play from English playwright Anna Jordan, zeros in on a flat in a dodgy English town called Feltham and the small horrors that take place there. Under different circumstances, this could be a simple boy-meets-girl love story; but under different circumstances it might not have happened at all.