After David Henry Hwang became the first Asian American to win a Tony award for his play M. Butterfly, his new positioning within the American theatre world became difficult to navigate. Now an unintentional spokesperson for Asian American theatre-makers, the next few years of Hwang’s life and career were complicated, to say the least.Continue reading →
Digital technology promises so much: convenience, control, your wildest desires just a few clicks away. What this technology can’t do, though, is tell you what it all means. How has 24-hour access to the internet changed our relationship to the world and the people around us? Or, if we can’t stop it from taking over, does it matter?Continue reading →
Alistair McDowall’s alternate version of Manchester is part game, part gritty crime drama, and part sci-fi thriller as the characters navigate their shifting and unreliable narratives. Pomona and The Girl are only myths until they become reality for those that choose to get involved.
A boy wants to become a composer but his controlling father forbids it and so he runs away, changing the course of not only his own life but that of his lover and their undetected unborn son. Adapted from the middle grade novel by Jamila Gavin, Coram Boy dives into 17th century England to explore class divides, the Baroque music scene, and the underbelly of the human trafficking industry.
In all the conventional ways Sandra is just a single mom doing her best to make ends meet after her husband left her while still providing the nurturing and stimulating environment her growing child needs. The only difference is that her son Trevor is actually a chimpanzee and the older he gets, the more precarious their position in the town becomes.
We are living in desolate times. Politically, socially, and economically the Western world is struggling. YEN, a 2013 play from English playwright Anna Jordan, zeros in on a flat in a dodgy English town called Feltham and the small horrors that take place there. Under different circumstances, this could be a simple boy-meets-girl love story; but under different circumstances it might not have happened at all.
In a world premier, Justin Fleming connects Adolf Hitler and Richard Wagner across time through a love of art and opera. Asking the tough questions about want, creation, and responsibility, DRESDEN seeks to complicate the way we interpret both small moments and their influence on the large names of our history.
Based on Eimear McBride’s 2013 novel of the same name, A Girl is a Half-Formed Thing is a brutal and unrelenting portrayal of the life of a young Irish woman from before her birth into her early 20s. Seeming to move from trauma to trauma and diving deep into the horrors of poverty, sexual, physical, and emotional abuse, illness and death, the protagonist understandably struggles to understand herself through the lenses that the surrounding world imposes on her.
Two sisters in Sydney’s western suburbs grow up together, teaching each other about how to love themselves, connect with others, and understand the world around them. After a medical scare, older sister Christa hatches the perfect plan to help younger Jamie overcome her mental health issues and hermit-like lifestyle but, like a lot of sibling interactions, she realises she’s gone much too far. This debut production for Pip & Han Inc. shows us how love can steer you so wrong.
Charles O’Grady’s third original play makes a return to the stage at Kings Cross Theatre as part of Sydney’s 2018 Mardi Gras. Are We Awake? details a crucial morning in the lives of Endymion (Mathew Lee) and Hypnos (Daniel Monks) as they navigate the complexities of their relationship. O’Grady’s script is a well-balanced one which flows smoothly between the joy, desire, frustration, anger, and (dis)comfort of contemporary queerness, disability, love, and external practicalities. It’s a balance placed in the safe hands of director Sarah Hadley who adds a delicate direction to the two-hander.