Nearly 100 years ago, the end of the Roaring 20s, when the glittering world of debauchery was crumbling, the sheen of a post-war Europe fading, collaborators Kurt Weill and Bertolt Brecht wrote into the dingy, decrepit spaces of fallen empires, imagining the immorality that thrived in these shadows.Continue reading →
Jason is a quiet fellow, navigating puberty, helping his mother after the death of his father, and pursuing his particular interest in sock puppetry. But something shifts when his mother introduces sock puppets to the church as a youth group activity. Was it the proximity to God that turned Tyrone or was his devilish proclivity just laying in wait, biding his time until he had some real ammo? Will the small town of Cypress, Texas ever really know what really happened in that church basement?Continue reading →
Virtual reality offers endless possibilities including the Hyperdream, an opportunity for paying customers to relive pivotal moments in their lives. Whether they have unfinished business, need a chance to heal, or just want to experience the thrill again, Hyperdream can make that happen. It’s a powerful technology. Perhaps, too powerful?Continue reading →
For the second instalment of theatre for film, Red Line Productions presents Will Eno’s meta, wandering monologue piece Thom Pain (Based on Nothing). Surrounded by cameras, Thom scatters himself across the stage, bouncing around the cranium of the black box Old Fitz Theatre like an illusive riddle.
As the possibility of theatre re-openings peaks its head over the horizon, Red Line Productions have filled the Old Fitz audience with cameras for live (streamed) theatre again! The first production in this new socially distanced format is a concert from Elenoa Rokobaro featuring Paulini Curuenavuli and Nana Matapule. For an hour Rokobaro takes the audience through some soul and R&B greats with a splash of pop as she returns to her cabaret repertoire.Continue reading →
Mardi Gras celebrations are often centred on taking pride in LGBTQIA+ identities and showcasing the many possibilities available in the margins but, simultaneously, this is a time for acknowledging the survival and resilience of a community routinely subjected to violence and systemic persecution. Our Blood Runs in the Street focuses on the findings of the “NSW Parliamentary Inquiry into Gay and Transgender hate crimes between 1970 and 2010”, its reopening in 2019, and the lasting impact of violence.
Ava is a young Welsh girl learning to navigate the complex and disappointing structures of adulthood. From institutionalisation to drug and alcohol abuse to inappropriate and dangerous relationships, everywhere she turns is cold and hard. As her 16th birthday approaches and she must find alternate accommodation from the children’s home, all of the threads of Ava’s distressing life become a bit too much.
Agamemnon is a rock goddess on an international tour to grow her fame like never before. But she has a complicated family past that her detractors bandy about at the least provocation; spreading rumours that tarnish her unbelievable success. In Ang Collin’s reimagining of the Greek tragedy, the limitations of loyalty are tested in a mother’s struggle for selfhood.
On a small island in Ireland, a young boy dreams of being a film star in Hollywood or at the very least not being called “Cripple” Billy anymore. When an opportunity to escape arrives, Billy takes full advantage, perhaps underestimating the full cost of leaving home.
Three generations of women, a house handed between them, and a long history of illness and trauma. Alice Birch traces the legacy of loss and the intergenerational experiences of motherhood in a family across decades in her Anatomy of a Suicide.