For the second instalment of theatre for film, Red Line Productions presents Will Eno’s meta, wandering monologue piece Thom Pain (Based on Nothing). Surrounded by cameras, Thom scatters himself across the stage, bouncing around the cranium of the black box Old Fitz Theatre like an illusive riddle.
As the possibility of theatre re-openings peaks its head over the horizon, Red Line Productions have filled the Old Fitz audience with cameras for live (streamed) theatre again! The first production in this new socially distanced format is a concert from Elenoa Rokobaro featuring Paulini Curuenavuli and Nana Matapule. For an hour Rokobaro takes the audience through some soul and R&B greats with a splash of pop as she returns to her cabaret repertoire.Continue reading →
Mardi Gras celebrations are often centred on taking pride in LGBTQIA+ identities and showcasing the many possibilities available in the margins but, simultaneously, this is a time for acknowledging the survival and resilience of a community routinely subjected to violence and systemic persecution. Our Blood Runs in the Street focuses on the findings of the “NSW Parliamentary Inquiry into Gay and Transgender hate crimes between 1970 and 2010”, its reopening in 2019, and the lasting impact of violence.
Ava is a young Welsh girl learning to navigate the complex and disappointing structures of adulthood. From institutionalisation to drug and alcohol abuse to inappropriate and dangerous relationships, everywhere she turns is cold and hard. As her 16th birthday approaches and she must find alternate accommodation from the children’s home, all of the threads of Ava’s distressing life become a bit too much.
Agamemnon is a rock goddess on an international tour to grow her fame like never before. But she has a complicated family past that her detractors bandy about at the least provocation; spreading rumours that tarnish her unbelievable success. In Ang Collin’s reimagining of the Greek tragedy, the limitations of loyalty are tested in a mother’s struggle for selfhood.
On a small island in Ireland, a young boy dreams of being a film star in Hollywood or at the very least not being called “Cripple” Billy anymore. When an opportunity to escape arrives, Billy takes full advantage, perhaps underestimating the full cost of leaving home.
Three generations of women, a house handed between them, and a long history of illness and trauma. Alice Birch traces the legacy of loss and the intergenerational experiences of motherhood in a family across decades in her Anatomy of a Suicide.
In the modern world, where it seems chaos reigns, the indeterminacy of the future can have many people clinging to the certainty of discrimination, exclusion, and hatred tighter than ever before. For loyalist Protestant Eric, the trauma of a past broken by terrorism and fear collides with the intimidating future of freedom and unlimited possibilities with devastating effects.
Everyone’s been there; at a Halloween party, trying to have a spooky time, and accidentally opening a portal to Hell. Writer Qui Nguyen’s work is well-known for integrating gore and horror tropes with puppets, humour, and a lot of fight choreography. This Australian premiere of his play Alice in Slasherland sees the Lewis Carol story turned on its head.
Suzie Flack has eschewed “women’s” sport for the real, original, men’s league of AFL. She has always been as good as the boys, ie better than the girls, and she wants her chance to prove herself as the first woman to ever play for the men’s team. Fierce is a complex examination of gender, bodies, ability, and want within the all-Australian realm of professional sport.