After David Henry Hwang became the first Asian American to win a Tony award for his play M. Butterfly, his new positioning within the American theatre world became difficult to navigate. Now an unintentional spokesperson for Asian American theatre-makers, the next few years of Hwang’s life and career were complicated, to say the least.Continue reading →
Andie is practically an adult but there are a few things she’d like to do before her big birthday: go on a date with her best friend, confront her father, and find her mother. In Dead Skin, two girls’ coming of age moments cosmically intertwine in an eerie, off-kilter love story.Continue reading →
After four hundred years King Berenger’s kingdom is crumbling. He is no longer nature’s master, his armies have deserted, and his doctor predicts his death imminently in an hour and a half. In Megan Wilding’s imagination, the king isn’t merely Eugene Ionesco’s belligerent every man, but the end of the world as we know it and an opportunity for someone new.Continue reading →
Digital technology promises so much: convenience, control, your wildest desires just a few clicks away. What this technology can’t do, though, is tell you what it all means. How has 24-hour access to the internet changed our relationship to the world and the people around us? Or, if we can’t stop it from taking over, does it matter?Continue reading →
Desire and power: it’s a tale as old as time played out countlessly in the artist/muse dynamic. “Symphonie fantastique” by Hector Berlioz is one such example of a multi-layered attempt to capture the fluttering beauty of unrequited love. Using this 19th century composition as the inspiration, Little Eggs Collective inject some queer imaginary and disco fever for a hallucinatory story of revenge.Continue reading →
Alistair McDowall’s alternate version of Manchester is part game, part gritty crime drama, and part sci-fi thriller as the characters navigate their shifting and unreliable narratives. Pomona and The Girl are only myths until they become reality for those that choose to get involved.
For the inaugural production of IGNITE Collective, New Ghosts Theatre brings two new Australian works about disfunctional and unusual Christmas celebrations to the stage. In Good People, the hours spent waiting in an airport stretch into unfathomable eternity while the women of Shandy’s Corner learn to lean on each other in times of grief and joy.
A boy wants to become a composer but his controlling father forbids it and so he runs away, changing the course of not only his own life but that of his lover and their undetected unborn son. Adapted from the middle grade novel by Jamila Gavin, Coram Boy dives into 17th century England to explore class divides, the Baroque music scene, and the underbelly of the human trafficking industry.
A young boy gets taught that good things come to good people and he believes it until the difficulty of disappointment hardens that optimism and lets it flake away. Good Dog watches a boy grow into a young man and learn to process power and pain to make the best of his lot.
In all the conventional ways Sandra is just a single mom doing her best to make ends meet after her husband left her while still providing the nurturing and stimulating environment her growing child needs. The only difference is that her son Trevor is actually a chimpanzee and the older he gets, the more precarious their position in the town becomes.