After Donald Trump’s election in 2016, political analysts, journalists, and general citizens the world over were scratching their heads, wondering where it all went wrong. Many blamed “backwards” religious zealots from mysterious middle America who didn’t know any better. But in the ensuing years, which have seen increased popularity and visibility of far-right ideology, the gap of misunderstanding and miscommunication has only seemed to get bigger.
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An American, an Irishwoman, and an Englishman come together to discuss an exciting new theatre project that will provoke the London scene. Except the distinctions aren’t really that clean-cut and even a gentle nudge throws the balance of identity, religion, and politics into a messy, urgent disaster.
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Image by Clare Hawley
In a world premier, Justin Fleming connects Adolf Hitler and Richard Wagner across time through a love of art and opera. Asking the tough questions about want, creation, and responsibility, DRESDEN seeks to complicate the way we interpret both small moments and their influence on the large names of our history.
Night Writes 