Coram Boy | bAKEHOUSE

Image by Clare Hawley

A boy wants to become a composer but his controlling father forbids it and so he runs away, changing the course of not only his own life but that of his lover and their undetected unborn son. Adapted from the middle grade novel by Jamila Gavin, Coram Boy dives into 17th century England to explore class divides, the Baroque music scene, and the underbelly of the human trafficking industry.

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Table | White Box Theatre & Seymour Centre

Image by Danielle Lyonne

Six generations gathered around a weathered wooden table; their history, trauma, and stories carved into its surface. In Tanya Ronder’s Table, the Best family have survived abandonment, war, and leopard attacks, charted over decades, to explore the central forces of love and family.

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Good Cook. Friendly. Clean. | Griffin Theatre Company

Following middle-aged Sandra as she battles through the Sydney housing shortage after her housemates give her two weeks to leave, Brooke Robinson’s new work introduces a critical conversation to the Sydney stage. When we’re all familiar with the housing crisis on a macro scale through rising house prices and sales of car-sized land going for millions of dollars, Good Cook. Friendly. Clean. is a confronting portrayal of the personal cost for someone who slips through the cracks and is routinely denied basic human necessities.

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