Future Remains | Sydney Chamber Opera

Image by Lisa Tomasetti

Beginning with an unsettling and predatory story of infatuation and ending in wild violent abandon, this mash-up performance of Leoš Janáček’s Diary of One Who Disappeared and Huw Belling’s response piece Fumeblind Oracle combine to explore classical themes of desire and revenge under strobing lights.

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John | Outhouse Theatre Co & Seymour Centre

Image by Clare Hawley

A young couple are taking some time together to heal after a rough patch in their relationship. They book a stay at a cozy bed and breakfast in historic Gettysburg and that might be all it is. It also might be an entrance to another dimension, or a house haunted by Civil War soldiers, or an elaborate game of make-believe constructed by owner Kitty. Who’s to really say who’s in charge and what it all means?

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Gloria | Outhouse Theatre Co & Seymour Centre

Image by Clare Hawley

New York City is a media capitol of the Western world and it generates a mythical image of power and success for budding writers like those working the magazine office of Gloria. But dreams don’t last forever and the facade quickly falls to reveal more to the characters than they perhaps cared to know. What builds and backs ambition? And what happens when times runs out?

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Angels in America | Apocalypse Theatre Company with Red Line Productions

Apocalypse Theatre presents Angels In America Part II: Perestroika

Image by Robert Catto

Angels in America: A Gay Fantasia on National Themes is a piece of the queer canon for the way it depicts the state of America, specifically New York, during the AIDS epidemic of the 1980s. Tony Kushner’s remarkable script overlaps the lives of five gay men and their families, nurses, coworkers, and neighbours over two parts, approximately six and a half hours of stage time, while also establishing these stories deeply within the political, economic, and social framing of the Reagan years.

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