With social distancing policies introduced to reduce the spread of COVID-19 in early March, hundreds of performances across the country were cancelled or postponed, creating a barren landscape for the Australian theatre, comedy, music, and dance scenes. The uncertainty has been devastating already but the changing circumstances have pushed some creatives into reimagining their art form. For the concert series Selby & Friends, a re-jig of the Let’s Get Personal program has taken advantage of the endless capabilities available in online recording and broadcasting.
For the first concert of the new Cafe Culture concert series at the Independent Theatre, the Enigma Quartet brought together two Romantic composers for a relaxed European interlude on a chilly Sydney evening.
Despite beginning a gay relationship, leaving his family, and having his wife marry his psychiatrist, Marvin is determined to maintain his tight-knit Jewish family even if it means cold shoulders around the menorah. The final two acts of a one-act musical trilogy combine to tell the story of a not-so-normal family and its not-so-nice head.
For the outgoing concert of their Chairman of the Board Prof. Richard Kefford AM, the Australian Romantic & Classical Orchestra performed a selection of works from exemplary Romantic composers Mozart and Beethoven as well as an Australian premiere of Franz Anton Eberl to demonstrate their unique historically informed performance philosophy.
Crime fiction has long been a source of dark entertainment; imaging the worst case scenario, exploring the evil that lurks in plain sight, using a smattering of clues to hunt down a killer. Sherlock Holmes, the iconic detective, and his faithful assistant Dr Watson return to the Genesian stage in this new adaptation of the Death on Thor Bridge.
To launch their 70th anniversary season, the Sydney Mozart Society invited Flinders Quartet and special guest clarinet player Lloyd Van’t Hoff to perform a piece from Mozart and one from each of his composer contemporaries Schubert and Beethoven.
A woman is trapped in a room, adamant she is not Veronica, and desperate to return to her date in 1973. There doesn’t seem to be a reason not to believe her other than Veronica’s long history of manipulation and violence. In this psychological thriller, the past and present get so twisted that one can’t rely on the truth anymore.