Earth and Sky | Castle Hill Players

Image by Chris Lundie

The city can be a brutal place to make a life with shifty characters and crime around every corner. Sara had thought she’d found her ticket out of her poky Chicago apartment in her soulmate David but then David is found shot dead and embroiled in a complicated web of kidnappings, extortion, and drugs. Did Sara’s imagination run away from her or is there someone else to blame?

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Violet | Lane Cove Theatre Company

Image by Jim Crew

Before the advent of television and the growth of televangelist greats like Pat Robertson and Joel Osteen, Evangelist preachers would tour all over the United States, spreading the word of God and performing miracle cures that garnered even more attention for their preaching. Just as televised fame was taking over the performance of prayer, a young woman sought out a miracle healer to take away her pain and make her future bright again.

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A Letter for Molly | Ensemble Theatre

Image by Prudence Upton

Parents are a complete mystery to children. They exist as these all-powerful figures who seem to hover over your life whether bossy, friendly, embarrassing, absent, or inexplicable. And then, seemingly out of nowhere, you are one yourself and the focus on your own parents becomes crystal clear for the first time. At least that’s what happened to the four generations of Gumbaynggirr mothers and daughters at the heart of Brittanie Shipway’s new play.

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Ancient Lands | Bel a cappella

Like many performers around Australia, the COVID-19 pandemic has taken its toll on Bel a cappella; preventing and postponing performances due to lockdowns and throwing up obstacles for the choir and its audiences left and right. Ancient Lands was scheduled as a triumphant return to full programs again but for more unexpected hurdles.

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Tell Me Before the Sun Explodes | Rock Bottom Productions with bAKEHOUSE

Image by Philip Erbacher

Every few years a movie gets released with a central gay character whose life is tragedy and whose story ends in a tear-jerking death. And every time this reignites a conversation about this seemingly inescapable link between queerness and death. Is it a curse from God? Is it unresolved trauma from the AIDS crisis? Is it pedestrian homophobia? Or is it true?

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Precious Colours | The Marais Project

Image by Philip Pogson

The Marais Project have been busy over the last few years preparing and recording their newest studio album Australian Monody which was launched with a concert over the weekend with the band’s central three musicians joined by two special guests.

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Silenced | Vocovox

In 2004, while accepting the Sydney Peace Prize at the University of Sydney, novelist and political activist Arundhati Roy said, “There’s really no such thing as the ‘voiceless’. There are only the deliberately silenced, or the preferably unheard.” She was pushing back against the myth that oppressed groups are voiceless and need others to speak for them by acknowledging that the gaps in the discourse or debate or historical record are actually deliberate omissions and erasures. Silenced picks up on the same concerns and grapples with the social, professional, and political consequences of being one of the silenced, specifically of being a woman under patriarchy.

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Unqualified 2: Still Unqualified | Ensemble Theatre

Image by Prudence Upton

One year ago Joanne and Felicity formed their temp job agency as a hare-brained scheme for them to do all the jobs themselves, no matter how unqualified, and rake in the money to help stabilise their lives. Now, post-COVID lockdowns and Joanne’s divorce, the end of their plan is in sight. But without the agency and their partner in literal crime, what will they have?

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Seeking Representation | Natali Caro

Identity politics has been a zeigeist-y topic for a few years now with discussion, particularly amongst the arts and entertainment industries, about notions of representation, appropriation, and authenticity. In Seeking Representation, comedian Natali Caro brings together considerations of identity and celebrity to interrogate boundaries of performer, performance, and audience.

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Tremors of Earth | The Song Company

In their second concert of the season and the one coinciding with Easter, The Song Company brought together their year’s theme Higher Ground with images of rebirth, growth, and renewal in a concert of Renaissance polyphony and new modern compositions. Fittingly, then, the concert also showcased the burgeoning talents of the company’s Apprentice Program, the up and coming voices of Australian music.

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