Have you ever loved something so much that it took over your world, pushing things like family and school into subplots and background information to the fateful love story at the centre of it all? Have you ever felt that way about someone you’ve never met? Never seen or touched in real life? Someone who doesn’t know you exist? That overwhelming, all consuming sensation is called being a fangirl.
Inspired by true events, The Sapphires tells the origin story of an Aboriginal girl group on tour to entertain the troops in Vietnam. The four sisters bring their everything to the band and, over the long, hard few weeks away, they learn a lot more about themselves and the shifting dynamics of their childhood relationships.
In a true blue story of hardship, Australian egg farmers are facing bleak times with the invention of man-made egg replacements. A charity concert fundraiser seems like the best solution until it sparks an uncontrollable urge to give, which threatens conceptions of good and fairness. Taking it back to Hume, We Are the (End of the) World takes on charitable giving as a measure of altruism motivated by self-importance and a twisted promotion of individual sacrifice.
Guido is a master filmmaker with an illustrious career that has taken a turn for the worse with a string of lacklustre releases. When his career reaches crisis point, the consequences of his shortcomings become painfully clear and his womanising ways won’t save him anymore. Little Triangle’s NINE is an unsympathetic fall from grace, a welcome reckoning.
Jeff and Hunter have three weeks to write a brand new musical to submit to the New York Musical Theatre Festival so, for lack of a better idea, they write a show about the process of writing a show. As a love letter to musical theatre and homage to the creative industry in general, [title of show] follows in the footsteps of great writer duos to explore friendship, creativity, and the journey through self-doubt.
Barbara and René are sisters and cousins and singing partners. They’re scraping together a living at odd gigs in Sydney but, when their mother gets sick, they go on a journey to find her first in Darwin and then back in their hometown of Katherine. It isn’t easy to return to a place you ran from and, for Barbara, even harder to remember somewhere that abandoned you. This rock musical about family and belonging, written by Ursula Yovich and Alana Valentine, returns to the Belvoir stage a year and a half after its world premiere.