Remounted after a run at PACT in June of this year, Ninefold brings its reimagination of Macbeth back to the stage with a stronger design, clearer motivations, but the same spooky atmosphere.
Black Match Productions, a brand new independent dance company born from connections built in the Sydney University Movement and Dance Society (MADSOC), debuted its first piece Embers. Looking to explore the human need for connection through physical representations of relationships and isolations, this piece stands as a solid entrance into the independent scene.
Carousel sells itself as a misunderstood love story: Julie, a respectable yet unusual girl, falls in love with the rough-around-the-edges Billy, a carousel barker with a seedy background. Things are difficult from the beginning as Billy takes out his anger and paranoia around marriage on Julie, until he eventually hits her. In a money-making scheme gone wrong, Billy unexpectedly dies and is given the chance for a redemption arc that requires a supernatural element.