The Australian Marriage Law Postal Survey conducted by the Australian Government in 2017 was a controversial decision that sparked a turbulent and retraumatising time for LGBTQIA+ people, particularly those who remembered the recent civil rights debates in Tasmania. From 1988-1997 gay rights activists campaigned to decriminalise homosexuality in Tasmania, the last state to do so; a campaign honoured in Campion Decent’s verbatim play the Campaign.
Six generations gathered around a weathered wooden table; their history, trauma, and stories carved into its surface. In Tanya Ronder’s Table, the Best family have survived abandonment, war, and leopard attacks, charted over decades, to explore the central forces of love and family.
In Chris Hannan’s adaptation of the Fyodor Dostoyevsky novel, Russia is a bleak place full of desperation and hardship. The people struggle to find meaning in political debates and philosophical theories about humanity. Raskolnikov is a wayward law student who commits murder to unburden himself from shame but who is unable to justify his actions in his own paranoia.
If you’ve ever had a tyrant boss, you’ve probably fantasised about something horrible happening to them, maybe on accident or maybe on purpose. For Claire and Solange, imagining the death of their domineering Madame and recreating it in detail has become a daily ritual of release and reclamation. This Jean Genet classic is about power and dominance in the luxury and suffocation of a woman’s dressing room.
Against a pixellated Manhattan skyline at sunset (the perfect backdrop for an Internet seduction) Joe Fox and Meg Ryan talk and flirt to escape their meat-puppet bodies. It’s a modern love story: two people fall in love anonymously online without knowing that, in real life, they are rival bookshop owners. In Ang Collin’s and Sarah Hadley’s retelling of the classic 1990s romcom, though, Meg_Ryan and Tom_Hanks are a lot, lot weirder.