The synagogue is described as a home for prayer, community, and learning so in collaboration with Emanuel Synagogue, The Sydney Art Quartet have prepared a concert exploring the underlying forces of empathy and compassion in the dangerous modern world. Merging music, voice, film, and dance, Crossroads brings together experiences of connection in the 20th and 21st centuries.
With over 140 dancers and more than 30 choreographed dances, the 2019 major production for Sydney University’s Movement and Dance Society (MADSOC) came out big and bold. Illume hopes to communicate the many unique facets of the human experience through the body’s language of dance.
Ushered into an intimate tent past two open fires, the audience are greeted by a mock anthropological “Aborigine” scene. The sarcastic narration quickly sets the scene for Chasing Smoke’s playful tongue-in-cheek tone. Combining circus, dance, and a bit of comedy, this production from Australia’s only entirely Indigenous circus group is a celebration of identity and story-telling.
Originally performed in 2015 as The Host, The Dinner Party is a reimagining that explores the dynamics of power and influence between the guests and hosts in an evocative yet playful production. Shifting relationships and balances of control propel the night forward to its inevitable conclusion.
In mainstream media and news, Western Sydney came seem like a world unto itself. With a long history of immigration, the western suburbs are some of the most culturally diverse areas in Australia so, with representatives from Fairfield, Jump First, Ask Later aims to showcase that diversity through their personal histories and their shared love of urban movement styles.
Five young women from Western Sydney have a lot of differences from their personal style to their family history to their cultural upbringing but music matters to all of them as comfort, inspiration, and a field to express themselves as growing and changing individuals. Playlist is about being a woman today with the soaring successes of legal and political freedom in hand with all the other ways woman are still kept quiet and scared.
Ghenoa Gela is a multi-medium performer using dance, theatre, and a bit of stand-up comedy to tell the story of herself in My Urrwai. “Urrwai” loosely translates into English as a personal style or essence so Gela’s solo production represents many aspects of her identity as Torres Strait Islander woman, a dancer and performer, and someone finding her way outside the Western heterosexual binary.
The tales of Sinbad the sailer are known the world over for the fantastic adventures and creatures he encountered. Bellydance Evolution, touring from Los Angeles, recreates the famous legend with a unique fusion of bellydancing and other dance styles, including breakdancing and ballet.
Black Match Productions, a brand new independent dance company born from connections built in the Sydney University Movement and Dance Society (MADSOC), debuted its first piece Embers. Looking to explore the human need for connection through physical representations of relationships and isolations, this piece stands as a solid entrance into the independent scene.