This year marks 25 years since Mimi was commissioned by Festival of Perth and the trans-Indigenous and intercultural performance company Marrugeku was born. In celebration, performance practise publisher Performance Research Books has collaborated with the company to bring a comprehensive history of their performances and practises to print.Continue reading →
The first new full-length work from Bangarra in three years tells the stories and knowledge of the Wangkatjungka and Walmajarri people from the Kimberley and Great Sandy Desert regions. The combination of traditional dances, interpretations of true stories, and exploration of colonisation in SandSong are performed in honour of cultural collaborator and Wangkatjungka woman Ningali Josie Lawford-Wolf.Continue reading →
For a dancer, the body is an instrument, a tool, a direct connection to the spirit. INTACT, then, uses movement and dance to explore the body after injury, processing trauma, and being reinvented. For the performer, the relationship between mind and body is paramount to telling this story.Continue reading →
After a long interruption to performing in 2020, Bangarra return to the stage with Spirit, a show comprised of pieces from their repertoire over 31 years. The performance represents an opportunity for healing and reconnecting as Artistic Director Stephen Page says, “Dance is our medicine, a practice which connects the past, present and future through the communication, and passing on, of cultural knowledge.”Continue reading →
In modern times it feels like every season brings a new crisis whether economic, social, environmental, or a combination of all three. Using Vivaldi’s The Four Seasons as inspiration, Force Majeure’s The Last Season explores intergenerational relationships through the increasing pressures on society as we know it.Continue reading →
Childhood is a precious time of freedom and imagination that we feel an innate desire to protect but not all children receive adequate protection. In Dislocation, eleven children navigate abandonment in a story of resilience and teamwork.Continue reading →
The synagogue is described as a home for prayer, community, and learning so in collaboration with Emanuel Synagogue, The Sydney Art Quartet have prepared a concert exploring the underlying forces of empathy and compassion in the dangerous modern world. Merging music, voice, film, and dance, Crossroads brings together experiences of connection in the 20th and 21st centuries.
With over 140 dancers and more than 30 choreographed dances, the 2019 major production for Sydney University’s Movement and Dance Society (MADSOC) came out big and bold. Illume hopes to communicate the many unique facets of the human experience through the body’s language of dance.
Ushered into an intimate tent past two open fires, the audience are greeted by a mock anthropological “Aborigine” scene. The sarcastic narration quickly sets the scene for Chasing Smoke’s playful tongue-in-cheek tone. Combining circus, dance, and a bit of comedy, this production from Australia’s only entirely Indigenous circus group is a celebration of identity and story-telling.
Originally performed in 2015 as The Host, The Dinner Party is a reimagining that explores the dynamics of power and influence between the guests and hosts in an evocative yet playful production. Shifting relationships and balances of control propel the night forward to its inevitable conclusion.