I Hope it’s Not Raining in London | Bearfoot Theatre

 

Nick

Image by Riley McLean

Two beings find themselves together in a Wonderland-esque world with some memories of a life before but no clear idea of how they got to be here. Over the course of an hour, or perhaps years in this timeless place, they build their pasts and develop a symbiotic relationship through which they can explore philosophy, self, and trauma.

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Wyrd: the Season of the Witch | Ninefold

Remounted after a run at PACT in June of this year, Ninefold brings its reimagination of Macbeth back to the stage with a stronger design, clearer motivations, but the same spooky atmosphere.

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Embers | Black Match Productions

Image by Lisa Koboyashi

Black Match Productions, a brand new independent dance company born from connections built in the Sydney University Movement and Dance Society (MADSOC), debuted its first piece Embers. Looking to explore the human need for connection through physical representations of relationships and isolations, this piece stands as a solid entrance into the independent scene.

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Wyrd: the Season of the Witch | Ninefold

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Image by 51 Watts Design

Ninefold reworks Macbeth as a quick supernatural thriller about the dark motivations of ambition and control. Director, Shy Magsalin, integrates the Suzuki Method of Actor Training in a physically and stylistically challenging staging of this wyrd story. Wyrd: the Season of the Witch is Shakespeare shifted and reimagined in a way you haven’t seen before.

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