Golden Blood | Griffin Theatre Company

Image by Brett Boardman

This review comes from Night Writes guest reviewer Josephine Lee

Merlynn Tong’s Golden Blood is a feverish, drug-induced, dream-like, fire-cracker adventure of two Singaporean Chinese orphaned siblings who are forced to become adults when their parents die before teaching them how.

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Light Shining in Buckinghamshire | Belvoir

Image by Teniola Komolafe

While it might not seem that a play about the English Civil Wars and the Putney Debates of 1640s England would have much resonance in 21st century Australia, Caryl Churchill’s framing, even some 45 years after the first staging, see our protests as rehashings of the same concerns of religious freedom, democracy, and social justice.

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Wayside Bride | Belvoir

Image by Brett Boardman

This review comes from Night Writes guest reviewer Josephine Lee

Wayside Bride is a new Australian play that celebrates the heartaches and beauty of Wayside Chapel in Kings Cross. Around 2016, the playwright Alana Valentine put a call out for stories of people who were married there and, over the years of interviewing, listening and writing, she has created this play. With a mix of verbatim storytelling and time travel, she shines a spotlight on the importance of community and social work in preserving this remarkable piece of Australian history.

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The Boomkak Panto | Belvoir

Image by Brett Boardman

What is it about theatre? Good and bad; amateur and professional; cast, crew, and audience; why do we do it? It’s about love and truth and heartbreak and fun and the simple thrill of telling a good story. In Belvoir’s second reopening, the Boomkak Panto brings together the time-honoured traditions of theatre with a fresh, contemporary perspective as a celebration of the very best of theatre-making.

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