Degenerate Art | Red Line Productions

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Image by John Marmaras

The 2016 election of Donald Trump was a rude global awakening that the West had quickly forgotten what Fascism looks and sounds like. In the two years since, still, little has been done to address the insidious ways dangerous ideas and attitudes infect policy and perspective on all shores, including our own. Rich white men (and women) continue to cut funding to necessary sectors like health and public schools, detention centres are active and normal, and, yes, Australia is still racist. That’s why we’re seeing Nazis on stage with more frequency and more urgency; as reminders.

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Good Cook. Friendly. Clean. | Griffin Theatre Company

Following middle-aged Sandra as she battles through the Sydney housing shortage after her housemates give her two weeks to leave, Brooke Robinson’s new work introduces a critical conversation to the Sydney stage. When we’re all familiar with the housing crisis on a macro scale through rising house prices and sales of car-sized land going for millions of dollars, Good Cook. Friendly. Clean. is a confronting portrayal of the personal cost for someone who slips through the cracks and is routinely denied basic human necessities.

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The Effect | Red Line Productions

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Image by John Marmaras

During a drug trial for a new anti-depressant, two young participants begin to fall in love and threaten to derail the entire experiment. Meanwhile, the psychiatrists behind the trial are still unsure whether their experiment is proving anything at all. The Effect is a story about the boundary between the mind and the heart and whether the embracing of science and reason will destroy our conception of emotion or how we express love.

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