Nearly 100 years ago, the end of the Roaring 20s, when the glittering world of debauchery was crumbling, the sheen of a post-war Europe fading, collaborators Kurt Weill and Bertolt Brecht wrote into the dingy, decrepit spaces of fallen empires, imagining the immorality that thrived in these shadows.
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Image by Brett Boardman
Advances in science can revolutionise the world, bringing great change to health, agriculture, and where we see ourselves in the universe. But there are some people who don’t want the world to change. Life of Galileo reflects the mind’s paradox back at the audience and circles history around an age old opposition.
Night Writes 