Much of circus is about the spectacle; making unbelievable feats of human strength and agility effortless and entertaining. After the success of Humans at Sydney Festival in 2017, Circa returns with the revamped Humans 2.0 which examines touch, intimacy, connection in the wake of COVID-19.Continue reading →
We see a lot of references flying around comparing our current circumstances to post-apocalyptic or dystopian imaginaries like 1984 or Brave New World. In AutoCannibal, Mitch Jones stretches contemporary crises of environmental collapse, the refugee crisis, and poverty to their extreme dystopic conclusion: self-cannibalism.Continue reading →
In modern times it feels like every season brings a new crisis whether economic, social, environmental, or a combination of all three. Using Vivaldi’s The Four Seasons as inspiration, Force Majeure’s The Last Season explores intergenerational relationships through the increasing pressures on society as we know it.Continue reading →
Beginning with an unsettling and predatory story of infatuation and ending in wild violent abandon, this mash-up performance of Leoš Janáček’s Diary of One Who Disappeared and Huw Belling’s response piece Fumeblind Oracle combine to explore classical themes of desire and revenge under strobing lights.Continue reading →
The environment and its vast network of interconnected systems often get discussed in enormous scales of time, space, and impact. For the average person, comprehending these huge scales is daunting. In poem for a dried up river, Jane Sheldon and Sydney Chamber Opera collaborate to experiment with mixing big and small in the story of a tiny creature’s Herculean task.Continue reading →
Inspired by the jury room drama Twelve Angry Men, Jane Harrison’s new play imagines those fateful days in January 1788 when the First Fleet entered Sydney Harbour. The seven surrounding clan leaders gather to hold a tense discussion about whether to welcome these visitors or turn them away before it’s too late.
The guests have gathered and are awaiting her arrival but before she can appear, there is a story to be told about how the past snags on the present and the silly business of love tangles itself through time. Forget Me Not is a layered, interactive magic world almost too elaborate to fully picture or put into words.
Lara is interstate working as a dancer to support her two young boys back in Sydney when she receives a call that their father, who was supposed to watching them, hasn’t been home for two days. She has the weekend to fly home, take care of her boys, find her partner, and settle the situation before returning to Cairns by Monday. This one-woman production is about the battleground of family and addiction set in Sydney’s public housing.