It’s the kind of story that rallies people together and strikes fear into the hearts of the rich and powerful: the downtrodden rise up and right the wrongs done to them by their oppressors. In the case of Fuente Ovejuna, the history is true. In Angus Evans’s new adaptation of the Spanish classic, the patterns of revolution ring out across time and place.Continue reading →
The last few years have felt particularly prophetic as the global timeline twists in on itself with the rise of fascism in the west, the collapse of democracy in Hong Kong, the civil rights movement of Black Lives Matter, and the “unprecedented” times of COVID-19 which saw responses from political leaders uncannily similar to the AIDS crisis and the 1918 flu pandemic. So it’s not surprising to see artists turn to the well-worn narratives of George Orwell as an imperfect mirror for the cycle of oppression and revolution we’re living through.Continue reading →
In the near future, the world has reached breaking point: the government is forcibly mandating birth control, people are fleeing across borders, communications have broken down between major powers and volatile states, and nuclear war hangs on the horizon. Ditch makes manifest the threats, predictions, and fears gathering for generations and presents the world as it may one day be.