Hyperdream | Red Line Productions with the Last Great Hunt

Virtual reality offers endless possibilities including the Hyperdream, an opportunity for paying customers to relive pivotal moments in their lives. Whether they have unfinished business, need a chance to heal, or just want to experience the thrill again, Hyperdream can make that happen. It’s a powerful technology. Perhaps, too powerful?

Continue reading →

Spike Heels | Crashing Water Theatre Company

Love is hard. It always has been. It’s made harder when you’re not sure what you really want. In Theresa Rebeck’s romantic comedy, a love rectangle comes crashing down around an engagement, a lifelong friendship, and a social experiment gone wrong.

Continue reading →

Tiny Universe | Milk Crate Theatre & Shopfront Arts Co-Op

Image by Joshua Morris / David Molloy

What do you think about when you’re alone? Is it the same thing other people think about? Tiny Universe opens up small, private moments to explore the wonderful internal worlds of eight characters and to reflect on the similar and different ways we navigate the outer world.

Continue reading →

Honour | Ensemble Theatre

Image by Prudence Upton

This review comes from Night Writes guest reviewer Gabriella Florek

It must be so delicious for any writer to experience the audible gasp, groan, or outburst of an audience reacting to a punchy line, a witty comeback, or a harsh truth. Joanna Murray-Smith’s Honour has no shortage of these. Her play is cleverly punctuated by all those things I imagine people wish they had said or perhaps have said in a painful or awkward moment.

Continue reading →

Two Sisters | Emanuel Synagogue

There is something special about family, these people who have known you forever and supposedly know you better than anyone else. And yet, in reminiscing, sometimes siblings are revealed to be strangers, memories misremembered, and key qualities forgotten. In Two Sisters, shared lives become complicated and secrets prove painful despite time and distance.

Continue reading →

Ulster American | Outhouse Theatre Co & Seymour Centre

Image by Richard Farland

An American, an Irishwoman, and an Englishman come together to discuss an exciting new theatre project that will provoke the London scene. Except the distinctions aren’t really that clean-cut and even a gentle nudge throws the balance of identity, religion, and politics into a messy, urgent disaster.

Continue reading →

Steel Magnolias | Lane Cove Theatre Company

Image by Jim Crew

Truvy’s Beauty Spot is a sanctuary for the local women residents. They come to here to celebrate good news, seek comfort for bad, and generally relax to some pampering, letting the rest of their worries roll away. Over the course of about two years, the regulars don’t expect quite so much change but Truvy’s is always there to hear all about it.

Continue reading →

A Passage to India | the Genesian Theatre

Image by Craig O’Regan

In an attempt to capture a poetic representation of 1920s English and Indian relations during British occupation, EM Forster’s classic novel and Martin Sherman’s stage adaptation place an exoticising lens on Indian people, place, and culture to explore power imbalances of race, class, and gender.

Continue reading →

Two Twenty Somethings Decide Never to Be Stressed About Anything Ever Again. Ever. | Bite Productions

Image by Clare Hawley

It seems that most days bring a new online article or news segment about the casualisation of the workforce, sky-rocketing house prices, stagnant wages, and general catastrophe for younger generations to navigate and establish a life in. Luckily for these two twenty-somethings, they’ve simply decided to not be stressed anymore.

Continue reading →

Our Town | the Guild Theatre

Image by Craig O’Regan

The magic of theatre often allows the exploration of unusual stories or sidelined characters who are given sympathy and attention on stage. This nearly century old Thornton Wilder play, though, pares back dramatic excess for a return to pure performance and simple living.

Continue reading →