Emerald City | Riverside Theatres Digital

Image by Brett Boardman

Melbourne and Sydney, art and commercialism, love and money; whether it’s the 1980s, 2014, or 2021, the battle is the same with each side deeply entrenched in their beliefs about success and happiness. In David Williamson’s 1987 play, artists butt up against producers, funding bodies, and even the audiences all for the integrity of the art. But what’s really at stake?

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Honour | Ensemble Theatre

Image by Prudence Upton

This review comes from Night Writes guest reviewer Gabriella Florek

It must be so delicious for any writer to experience the audible gasp, groan, or outburst of an audience reacting to a punchy line, a witty comeback, or a harsh truth. Joanna Murray-Smith’s Honour has no shortage of these. Her play is cleverly punctuated by all those things I imagine people wish they had said or perhaps have said in a painful or awkward moment.

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