Fuente Ovejuna | Dream Plane Productions

Image by Clare Hawley

It’s the kind of story that rallies people together and strikes fear into the hearts of the rich and powerful: the downtrodden rise up and right the wrongs done to them by their oppressors. In the case of Fuente Ovejuna, the history is true. In Angus Evans’s new adaptation of the Spanish classic, the patterns of revolution ring out across time and place.

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Pete the Sheep | Monkey Baa Theatre Company

Image by Lisa Williams

Being different can be hard, especially when you’re deviating from tradition. Shaun is a new sheep shearer with some new ideas that really rock the shed and Ratso’s set ways but, together, they open up a whole range of possibilities for the sheep shearing profession.

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Nordic Noir: Phantasy & Fugue | Endangered Productions

Endangered Productions is a new Sydney-based music theatre company dedicated to bringing together artists of all experiences and abilities to perform overlooked theatre pieces. After a sell-out run in 2020, their program from the far north Nordic Noir returns with its Norwegian stories both old and new.

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Lipstick & Girl Shut Your Mouth | Theatre Travels

Image by Becky Matthews Photography

For the second week of NO: INTERMISSION the action takes a turn towards the absurd from a whacky turnstile of gay dates to a runaway bride to a war-torn world decorated in florals. In both Lipstick and Girl Shut Your Mouth, the terms of the characters’ lives are unclear with heartwarming and deadly consequences respectively.

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Jali | Griffin Theatre Company

Image by Estelle Yoon

The concept of home and what having one gives to you are things many Australians are lucky enough to take for granted. Stability, safety, a memory of where you’re coming from, and a plan for where you’re going; small things denied to so many. In this autobiographical solo show, Oliver Twist examines his own experiences with starting over as a Rwandan refugee.

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Exit the King | Red Line Productions

Image by Robert Catto

After four hundred years King Berenger’s kingdom is crumbling. He is no longer nature’s master, his armies have deserted, and his doctor predicts his death imminently in an hour and a half. In Megan Wilding’s imagination, the king isn’t merely Eugene Ionesco’s belligerent every man, but the end of the world as we know it and an opportunity for someone new.

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In Their Footsteps & Rattling the Keys | Theatre Travels

Image by Becky Matthew Photography

After an ironic interruption in 2020, Theatre Travels’s short play festival NO: INTERMISSION returns with four new plays this year. The first week’s selection travels from war-torn Vietnam to the isolation of Coober Pedy to explore themes of regrets, violence, and death.

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Glengarry Glen Ross | New Theatre

Image by Chris Lundie

It’s the 80s and the air is thick with money; the promise of endless American economic growth just recently cut down by a recession. But the greed is still palpable and it’s gaining momentum amongst the desperate Chicago real estate agents of David Mamet’s imagination.

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You’re Not Special | Rogue Projects with bAKEHOUSE

Image by Kate Williams

Digital technology promises so much: convenience, control, your wildest desires just a few clicks away. What this technology can’t do, though, is tell you what it all means. How has 24-hour access to the internet changed our relationship to the world and the people around us? Or, if we can’t stop it from taking over, does it matter?

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The Secret of Chimneys | the Genesian Theatre

Image by Craig O’Regan

Hidden in obscurity since its cancelled 1931 premiere, the Secret of Chimneys makes its Australian debut nearly a century later in a rather more subdued 20s era. From the prolific crime writer Agatha Christie, this tale features stolen jewels, mistaken identities, political intrigue, and, of course, murder.

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