What is attraction really? Is it all about aesthetics or is there a deeper meaning underneath the surface? And is there a different rule book for art? Neil LaBute’s the Shape of Things mixes the messages of art and attraction amongst four flirty twenty-somethings.Continue reading →
It’s an age-old adage that the grass is always greener on the other side. Envy is a routine emotion; we always want what we don’t, or can’t, have. But Brian Friel’s play about a young family in Ireland presents the case for someone else’s insistence on your deficiency and the untold consequences of imposing envy on someone else.Continue reading →
In the last month of a gruelling year, with theatres cracking their doors open once again, Night Writes sat down with director Hailey McQueen and lead actor Grace Naoum, playing Molly, to discuss their upcoming production Molly Sweeney with Clock & Spiel Productions.Continue reading →
Effie talks back to strangers on the street. She subsists on binge drinking and guilting her granny out of spare tenners. Effie is the kind of person you avoid eye contact with but, this time, she’s talking directly to you and you’re going to listen.Continue reading →
Do you ever stare up at the moon in hopeless wonder about the possibility of visiting the space rock one day? Your days of waiting are over because Hotel Bella Luna is a fully functioning hotel resort with a whole host of activities for relaxation and extreme adventuring, whichever strikes your fancy. Unfortunately, on this visit, new guests will have to work together with staff to save the hotel from a system malfunction that will result in mass death!Continue reading →
After the cancellation of their production of Jasper in Deadland just two weeks out from opening, City Theatre had to think fast about how they would keep the spirit of independent theatre alive during the pandemic. Project Interlude is their initiative to write, cast, rehearse, and perform a new short musical in one week like a jumper cable to the heart of Sydney theatre.Continue reading →
A woman is trapped in a room, adamant she is not Veronica, and desperate to return to her date in 1973. There doesn’t seem to be a reason not to believe her other than Veronica’s long history of manipulation and violence. In this psychological thriller, the past and present get so twisted that one can’t rely on the truth anymore.
When was the last time you saw an ugly woman performer? Or one where her ugliness was not an indication of her depravity, villainy, or destitution? The Ugly Show encourages audiences to acknowledge that all bodies are ugly sometimes and an ideal that asks anyone, especially women, for anything less is simply unrealistic.