A Murder Story, Retold | Ninefold

In a tiny room shared by two people and a television, a silent battle rages on. Three people plot their murderous revenge in a poisonous cup of tea before the light falls and their roles are reversed. A Murder Story, Retold uncovers the creeping macabre in the mundane.

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Coconut Collective Clan | Sydney Fringe Festival

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If you’ve ever loved a food with your whole being, eating it probably felt like a divine experience, a communion with God. The Coconut Collective Clan have taken their love a step further and constructed a religion around the magnificent coconut. Intrigued?

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Lucy & Me | Nicolas Angelosanto

Lucy and Sphenn are the best of friends. They go on endless adventures together from long rides in the sunshine to breeding puppies to sailing away to Mexico to sell ice cream. Most of all Sphenn and Lucy want to be famous for absolutely anything at all. It’s Lucy’s hair-brained plans for fame, though, that land the pair in a fair amount of trouble.

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STREET | Mon Sans Productions with Actors Anonymous

Image by Abe Bastoli

Two young people feel inspired to understand the world through new eyes and decide to try out homelessness for a week. When they befriend a pair of genuinely destitute young people, the cruelty of their actions becomes apparent. This new Australian play about youth on the streets interrogates the misinformation and ill-feeling around homelessness from opposing perspectives.

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Open Dyke Night | Salem Barrett-Brown

Like Salem Barrett-Brown says, trans is very trendy at the moment, occupying a disproportionate amount of news and media attention in Australia. But what’s it like to be one of these illusive transpeople, battling the same late capitalist hell-scape as the normies but with the nation’s concentrated hatred to boot? Open Dyke Night invites a few marginalised identities to weigh in.

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Trojan Barbie | Scribe Theatre with New Theatre

Lotte thinks she deserves a holiday and some loving at the same time but she couldn’t have known her singles tour of Troy would drag her through history into the ancient falling city. Mixing history, mythology, and the modern day, Trojan Barbie is a confronting exploration of the trauma of war through the female victims.

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The Becoming | New Theatre

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Inspired by the surrealism of Franz Kafka’s Metamorphosis, Katie Pollock reimagines the well-known novella through young Greta’s eyes as her brother takes a sudden ugly turn towards extremism. In The Becoming, dangerous ideology and its sibling, dangerous indifference, means nobody gets out alive.

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Revolt. She Said. Revolt Again. | Sydney Fringe Festival

What does revolution look like? What are the steps one can take to revolutionise their relationships, jobs, everyday spaces? Alice Birch’s Revolt. She Said. Revolt Again. is about feminist rising up, rewriting, and reimagining a new world on the other side of deconstruction.

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Fran & Leni | Seemingly Wholesome Productions

Image by Olivia Repaci

For Fran and Leni, punk is freedom from the restrictive paths their upbringing has put them on, protection from violent misogynists, and a place to express themselves authentically. Fifteen years later, the scene looks different and the two once-young girls have to find out if they’ve stayed true to their punk sensibilities.

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We Are the (End of the) World | Supply Evolution

In a true blue story of hardship, Australian egg farmers are facing bleak times with the invention of man-made egg replacements. A charity concert fundraiser seems like the best solution until it sparks an uncontrollable urge to give, which threatens conceptions of good and fairness. Taking it back to Hume, We Are the (End of the) World takes on charitable giving as a measure of altruism motivated by self-importance and a twisted promotion of individual sacrifice.

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