Revolt. She Said. Revolt Again. | Sydney Fringe Festival

What does revolution look like? What are the steps one can take to revolutionise their relationships, jobs, everyday spaces? Alice Birch’s Revolt. She Said. Revolt Again. is about feminist rising up, rewriting, and reimagining a new world on the other side of deconstruction.

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Fran & Leni | Seemingly Wholesome Productions

Image by Olivia Repaci

For Fran and Leni, punk is freedom from the restrictive paths their upbringing has put them on, protection from violent misogynists, and a place to express themselves authentically. Fifteen years later, the scene looks different and the two once-young girls have to find out if they’ve stayed true to their punk sensibilities.

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We Are the (End of the) World | Supply Evolution

In a true blue story of hardship, Australian egg farmers are facing bleak times with the invention of man-made egg replacements. A charity concert fundraiser seems like the best solution until it sparks an uncontrollable urge to give, which threatens conceptions of good and fairness. Taking it back to Hume, We Are the (End of the) World takes on charitable giving as a measure of altruism motivated by self-importance and a twisted promotion of individual sacrifice.

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Cats Talk Back | New Theatre

When CATS closed on Broadway in 2000, after 18 years on the stage, it was the longest running musical in Broadway history. In Cats Talk Back five ex-cats reminisce on their time together, their process of bringing CATS to life, and what they’ve been doing in the years since.

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NINE | Little Triangle

Michele Lansdown & Company (Photo by Blake Condon)

Image by Blake Condon

Guido is a master filmmaker with an illustrious career that has taken a turn for the worse with a string of lacklustre releases. When his career reaches crisis point, the consequences of his shortcomings become painfully clear and his womanising ways won’t save him anymore. Little Triangle’s NINE is an unsympathetic fall from grace, a welcome reckoning.

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Minky Opens a Gallery | Sydney Fringe Festival

Imagine you’ve been challenged to get your life together in six weeks. With no work experience, a poor secondary school record, and more money than you can picture, the clear solution is to open an art gallery in Paddington. In a new satire, Joanna Weinberg explores the collision of a celebrity socialite with the visual art world.

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French Without Tears | the Independent Theatre 80th Anniversary Celebration

Image by Sophie Frazer – Vivid Imagination Photography

In celebration of the renaming and reopening of the Independent Theatre on September 2nd, 1939, the Seaborn, Broughton & Walford Foundation with Wenona School hosted a staged reading of the first play to walk the newly restored floorboards: French Without Tears by Terence Rattigan. The rich Sydney community of actors, directors, and audience members rallied for a nostalgic afternoon.

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Towards Zero | the Genesian Theatre

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Image by Craig O’Regan

It’s a typical September day of tennis and swimming at Gulls Point where Lady Tresilian has gathered her family and friends for their seaside holiday tradition. Only this year, Nevile’s complicated romantic connections have added an uncomfortable tension that may or may not have not contributed to a murderous outburst. In this Agatha Christie classic, past passions boil over in a mix of deception and misdirection.

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Chorus | Bontom with Red Line Productions

Image by Phil Erbacher

Agamemnon is a rock goddess on an international tour to grow her fame like never before. But she has a complicated family past that her detractors bandy about at the least provocation; spreading rumours that tarnish her unbelievable success. In Ang Collin’s reimagining of the Greek tragedy, the limitations of loyalty are tested in a mother’s struggle for selfhood.

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A Deal | Flying House Assembly and University of Sydney Union

Image by Kelvin Xu – Luky Studio

This review comes from Night Writes guest reviewer Nicole Pingon.

Zhu Yi’s A Deal, delves into the conflicts between the East and West, old and new ways of thinking and the love and passion that drives us all. Through her wit and humour, Yi presents an intriguing Chinese perspective on the generational and cultural conflicts that exist as a result of a globalised America.

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