Every Brilliant Thing | Belvoir

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Image by Brett Boardman

Mental illness is a very isolating experience because many of the symptoms of mental illnesses, especially depression, attack the parts of the mind that interpret relationships, make meaningful connections, and experience joy. Often the effects of mental illness are not felt until a tragedy occurs, a suicide or another violent physical manifestation of the illness, when the impact radiates outwards through family, friends, and communities.

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Short + Sweet Theatre Festival | Week Five – Women’s Week

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Image by Geoff Sirmai

In celebration and recognition of International Women’s Day on March 8th, Week Five of the Short + Sweet Theatre Festival was all about platforming women’s voices and work. Both the Wildcard and the Top 80 plays featured short plays written and/or directed by women and many focusing on issued concerning women in our society.

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Fantasm: 1001 Nights | Bellydance Evolution & Hathor Dance Studio

The tales of Sinbad the sailer are known the world over for the fantastic adventures and creatures he encountered. Bellydance Evolution, touring from Los Angeles, recreates the famous legend with a unique fusion of bellydancing and other dance styles, including breakdancing and ballet.

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Seed Bomb | subtlenuance & Old 505 FreshWorks

Image by Matthew Abotomey

Catastrophic climate change is an inevitable reality and we’ve been biding our time for decades. Some people in society choose denial and avoidance and others, like the guerrilla gardeners, are choosing revolution. When Kat stumbles into their plans, they plant the seed for her to change her life.

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Gods Cowboys Ride Again | Gods Cowboys

Image by Steve Wimmer

Gods Cowboys reunite after 20 years for a special fundraiser event of tomfoolery and shenanigans. Slim, Buck, and Billy are God-fearing cowboys looking to spread the good word through comedy, live music, and a love of red meat. For two nights only, the trio brought their 1990s classic set back to the stage for a great cause.

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Monopoly | Hot Room Theatre

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Image by Rob Studdert

A group of friends gather every once in a while to reconnect with each other over a game of Monopoly. They have different jobs, money and housing situations, and life goals but all of that is put aside for the game. On this night, however, a new player joins the friends and shifts the group dynamics perhaps permanently.

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Tango de Saxos | Nexas Quartet

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Image by Jacquie Manning

Saxophone quartet Nexas Quartet bring some of the best of South American tango music to the stage in this lively summer concert. Spanning decades from 1940s classics to brand new work, the quartet and their special guests delighted the audience from start to finish.

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37 Ways to Say I’m Gay | Tunks Productions

Image by Clare Hawley

Being queer in a cis-sexist and heteronormative world means a near constant string of coming out situations when you’re placed in the position to correct other people’s assumptions about you. Some coming outs resonate more throughout a lifetime, like with parents or close friends, but that doesn’t make any coming out easy. Here we see 37 different coming out moments through 12 actors and their 94 characters.

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The Things I Could Never Tell Steven | Whimsical Productions

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Image by Zaina Ahmed

Steven is a difficult man to get a hold of, especially if you’re his parents, wife, or boyfriend and you have something very serious to tell him. This new musical from Jye Bryant centres an absent character in a story about the heartbreak, betrayal, and secrets that those closest to him just don’t know how to put into words.

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Angels in America | Apocalypse Theatre Company with Red Line Productions

Apocalypse Theatre presents Angels In America Part II: Perestroika

Image by Robert Catto

Angels in America: A Gay Fantasia on National Themes is a piece of the queer canon for the way it depicts the state of America, specifically New York, during the AIDS epidemic of the 1980s. Tony Kushner’s remarkable script overlaps the lives of five gay men and their families, nurses, coworkers, and neighbours over two parts, approximately six and a half hours of stage time, while also establishing these stories deeply within the political, economic, and social framing of the Reagan years.

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