Looking for Alibrandi | Belvoir

Image by Daniel Boud

This review comes from Night Writes guest reviewer Gabriella Florek

Perhaps the big challenge for any adaptation is making the decision of how it will relate to the original text. Regardless of what is kept, culled, or changed, there is often still a feeling of responsibility to keep some essence of what the writer of the story intended or, if not, to directly challenge and subvert it. Then of course, there is the argument that a new interpretation should be judged as a stand alone work and shouldn’t be critiqued in relation to whatever came before it. No matter which path is taken, the audience is always going to bring with them their own expectations as to what the text means to them, what they would like to see, and what they think it should mean.

Continue reading →

The Cherry Orchard | Belvoir

Image by Brett Boardman

It has been six years since the cherry orchard witnessed the deaths of a father and son and now the matriarch has finally returned. But Ranevskaya brings back with her the family debts and denial. One of Anton Chekhov’s most beloved plays, the Cherry Orchard is charged with reconciliation, regret, and the unstoppable waves of change.

Continue reading →