The Other End of the Afternoon | New Theatre

Image by Troy Kent

So many of us turn to stories as escapism to transport us to a completely imagined other reality, a perfect future, or an idealised distant past. But what if it was possible to really escape a life that wasn’t safe for you? What if you could just walk into that other place if you only knew the way?

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Calendar Girls | the Guild Theatre

The concept of a nude calendar isn’t new but replacing the typical bikini model or buff fireman with your average middle-aged Women’s Institute member is entirely novel. Based on a true story, the calendar girls of the Knapeley branch of the WI did exactly that and became international sensations for their trouble.

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The Lovely Bones | New Theatre

Image by Bob Seary

In 1973, a few weeks before Christmas, 14-year-old Susie Salmon goes missing when walking home from school. She’s been murdered by her neighbour and now she watches on from Heaven as her community pieces together the last day of her life and learns to navigate the future without her. Adapted from the 2002 international best selling novel by Alice Sebold, the Lovely Bones is about living and loving with grief.

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Titus Andronicus | Streamed Shakespeare

In response to the closure of theatres across Australia during the COVID-19 pandemic, a group of Sydney-based actors have been performing staged readings of Shakespeare’s plays for online streaming every week of the nation-wide lockdown. For this week (approximately week 19 since the pandemic broke in Australia), the Streamed Shakespeare team bring Titus Andronicus to a screen near you.

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Simple Souls | subtlenuance

T Nguyen, A Benstead in Simple Souls image subtlenuance (s)

One of the main side effects of the digital age and social media that is most often talked about is the ease with which people slip into heated and frequently hostile arguments with strangers. Simple Souls uses this phenomena as the starting point to explore ideas of meaning, happiness, satisfaction, and understanding in the modern world.

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