
There’s something in the Sydney theatre air that means 2022 has been the year of productions focused on women’s emancipation and their right to choose their life path. Hush, A Letter for Molly, and Ghosting the Party considered mothering; Lady Windermere’s Fan, Lady Precious Stream, and A Doll’s House saw women navigating marriage contracts; and Chef, Sexual Misconduct of the Middle Classes, and now the Sweet Science of Bruising turn different lens on violence in women’s lives to examine power, freedom, and choice.
Continue reading →