There’s something in the Sydney theatre air that means 2022 has been the year of productions focused on women’s emancipation and their right to choose their life path. Hush, A Letter for Molly, and Ghosting the Party considered mothering; Lady Windermere’s Fan, Lady Precious Stream, and A Doll’s House saw women navigating marriage contracts; and Chef, Sexual Misconduct of the Middle Classes, and now the Sweet Science of Bruising turn different lens on violence in women’s lives to examine power, freedom, and choice.Continue reading →
Hannah Arendt’s theory on the banality of evil has become part of the common vernacular when considering the darker side of humanity; the way the whispers of cruelty seep into people undetected until the unthinkable happens. In the two-part production Morning Star, a group of writers imagine the consequences of pernicious ideas infiltrating otherwise unremarkable narratives.Continue reading →
An Australian woman and a French woman are boarding together in New York City in the middle of World War II. Both have their gaze turned outwards; one towards hope for a new world on the horizon, the other towards the insufferable present across the Atlantic. Neither of them entirely achieves what they are searching for.