Remounted after a run at PACT in June of this year, Ninefold brings its reimagination of Macbeth back to the stage with a stronger design, clearer motivations, but the same spooky atmosphere.
To finish up their July 2018 program, Flinders Quartet and guest violist Chris Moore performed a lively concert mixing music and theatre. It’s a charming play with text to add narration to the Quartet’s performance and movement in time with the music. The three pieces comprising this concert were distinct but carried a thread of life and joy throughout.
Ninefold reworks Macbeth as a quick supernatural thriller about the dark motivations of ambition and control. Director, Shy Magsalin, integrates the Suzuki Method of Actor Training in a physically and stylistically challenging staging of this wyrd story. Wyrd: the Season of the Witch is Shakespeare shifted and reimagined in a way you haven’t seen before.
Troilus & Cressida is one of Shakespeare’s infrequently performed plays, most likely due to the ambiguous characterisation and plot. Set in the final years of the Trojan War, the play is largely a satire of the great legends from the Odyssey including Ulysses, Agamemnon, and Hector. Coincidentally, there’s the added interest of the love story between Cressida, Calchas’s daughter, and Troilus, son of Priam and Prince of Troy. Secret House’s most recent revival of the play argues for its contemporary relevance with questions of identity, love, and war.