Mental illness can strike anyone at any time but for those who are regularly put in traumatic or dangerous situations, like soldiers, the chances of mental ill-health are much higher. Rob is one of those soldiers. Deployed to Afghanistan as a medic, Rob saves lives everyday but the high-stress and unpredictability of war take its tole and he’s sent home early with a post traumatic stress disorder diagnosis.
If recreating the classic Stephen King horror novel as a Broadway musical sounds like a bad idea to you, you’re not alone. Carrie, with music by Michael Gore, lyrics by Dean Pitchford, and book by Lawrence D Cohen, was one of the biggest flops in Broadway history. Closing after 16 previews and 5 performances, it’s a show nobody wanted to touch for nearly 25 years. This version of events focuses a lot less on the supernatural and gruesome elements and instead turns the story into a high school drama about the consequences of bullying. With the prominence of school shootings and religious extremism still in our news cycles, this production seems timely with a touch of something darker.
Lauren and Gideon have just broken up and they’re tearing their friendship group apart. After torching all of her ex’s things, Lauren decides to funnel all of her destructive energy into writing the next bestseller, Things Not to do After a Breakup, full of rules and advice to make sure you don’t embarrass yourself, or break the law, after your own breakup.
Troilus & Cressida is one of Shakespeare’s infrequently performed plays, most likely due to the ambiguous characterisation and plot. Set in the final years of the Trojan War, the play is largely a satire of the great legends from the Odyssey including Ulysses, Agamemnon, and Hector. Coincidentally, there’s the added interest of the love story between Cressida, Calchas’s daughter, and Troilus, son of Priam and Prince of Troy. Secret House’s most recent revival of the play argues for its contemporary relevance with questions of identity, love, and war.
Little Triangle is a brand new Sydney theatre company dedicated to reprising under-performed musicals at a ticket price point that doesn’t cost their audience a week’s rent. As an effort to expand and diversify the musical theatre scene in Sydney, this is a valiant way to open a company. Their second production, Merrily We Roll Along, just closed their season at the Depot Theatre to wide praise and keen look-outs for their next show!