Good Dog | Green Door Theatre

A young boy gets taught that good things come to good people and he believes it until the difficulty of disappointment hardens that optimism and lets it flake away. Good Dog watches a boy grow into a young man and learn to process power and pain to make the best of his lot.

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A Delicate Balance | Sydney Classic Theatre Company

Alice Livingstone 1

Image by Blake Condon

Perhaps this is an unremarkable Friday evening in the home of an upper-class family with its usual problems. Or, perhaps this is the evening that finally begins the process of throwing the many cracks of regret, deceptions, and desires into relief; when the rocky marriage, alcoholic sister-in-law, fake friendships, and co-dependent daughter all come home to roost.

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Sufficient Carbohydrate | The Guild Theatre

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The Greek islands, what a beautiful place for a relaxing and rejuvenating holiday with friends and family. Only this holiday has a bit of an ulterior motive with Eddie hoping to sway colleague Jack into the company ethos, and perhaps pursue a smouldering affair on the side. Add alcohol and a touch of heat-stroke and this week away turns into an absolute disaster.

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The Underpants | Sugary Rum Productions

Gabrielle Scawthorn & Beth Daly (photo David Hooley) high res

Image by David Hooley

Theo Maske is a respectable man with a well-paying government job and he will not tolerate a scandal, most especially not a scandal involving his wife dropping her underpants in the middle of a crowd. However, rather than suffering the expected consequences of embarrassment and a sacking, the incident seems to work out in Herr Maske’s profitable favour.

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Death of a Salesman | Arts Theatre Cronulla

Willy Loman is reaching the end of his tether: his job isn’t getting any easier even as he approaches retirement age, neither of his promising sons has made a success of himself yet, and seeing the financial strain on his wife makes him sick. None of the grand plans Willy had for his life have come to fruition but that won’t stop his scheming. Arthur Miller’s classic play takes a hard look at the American dream and the masculinity and mediocrity that underpin it.

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Louisa Collins: A Poison Crown | Actors Anonymous & Blancmange Productions

Image by Phyllis Wong

DEADHOUSE: Tales of Sydney Morgue returns for its second season presenting site-specific and interactive theatre experiences to reveal the hidden history of Sydney. Inspired by Caroline Overington’s book Last Woman Hanged, Louisa Collins: A Poison Crown explores the mystery surrounding two deaths, four trials, and a woman hanged.

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Bird | Secret House

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Image by Clare Hawley

Ava is a young Welsh girl learning to navigate the complex and disappointing structures of adulthood. From institutionalisation to drug and alcohol abuse to inappropriate and dangerous relationships, everywhere she turns is cold and hard. As her 16th birthday approaches and she must find alternate accommodation from the children’s home, all of the threads of Ava’s distressing life become a bit too much.

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Morning Sacrifice | Rough Hewn Theatre Troup

Image by Miklos Varadi-Beothy

Set in the staff room of an Australian girls’ school in 1938, Morning Sacrifice is a snapshot of the everyday concerns of the time including considerations of propriety and morality, a changing political climate, and the place of education in the globalising world. With the school’s reputation to uphold, any discrepancy must be held up, identified, and swiftly punished.

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Playing Face | Bearfoot Theatre

The Kings are the ideal hosts, inviting guests into their home as part of their reality television program Living with the Kings, a very popular production. For this season finale they’ve invited the Wild Violets to join them, a musical duo set to send the show off with a real bang, but not without wreaking a little havoc.

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Wit | Clock & Spiel Productions

Image by Alison Lee Rubie

What is the measure of a life? It’s a question not often considered in the rush of living but left for the last moments of reflection when it all feels a bit too late. Margaret Edson’s Pulitzer Prize winning script is a meditation on the boundary between life and death from the perspective of one accustomed to the event in the abstract.

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