The Removalists | New Theatre

Image by Bob Seary for New Theatre

A woman turns to the police for assistance when her husband assaults her. The police take the opportunity to puff their chests and wield their power. David Williamson’s the Removalists is exemplary of the playwright’s successes and shortcomings in a brutal, violent exploration of power and toxic masculinity.

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Beautiful Thing | New Theatre

Image by Bob Seary

Being a teenager is brutal with the nagging parents, unstable friendships, and general boredom of school but it’s all heightened by the raging hormones and overwhelming pressure to figure yourself out as quickly as possible. Jonathan Harvey’s 1993 play is all about teenage angst but with the sparkling joys of love and understanding, too.

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Neighbourhood Watch | New Theatre

Image by Chris Lundie

Mary St is a perfectly ordinary suburban street with perfectly ordinary residents. The only thing missing is perhaps a bit of community spirit, the comfort of having someone keeping an eye on your business. But when two relative newbie neighbours strike up a friendship, the close quarters create more friction than expected.

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Persuasion | the Genesian Theatre

Image by Craig O’Regan

Persuasion is often labeled the most romantic of Jane Austen’s novels for its mixture of love, regret, and a sense of destiny in the lead couple, much like more recently love stories like The Notebook or Always Be My Maybe. Two people fall in love but the circumstances drive them apart only for them to be reunited in the future when rekindle their young romance.

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Giving Up the Ghost | Pop Up Theatre

Image by Clare Hawley

The debut production at the new Sydney performance venue Limelight on Oxford, uses a comedic approach to death and grieving to investigate attitudes to euthanasia and how our relationships change, or stay the same, after death. This new Australian play uses farcical elements and touches of the supernatural to unravel the past and future of a family in mourning.

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