This review comes from Night Writes guest reviewer Anja Bless
Making its Sydney debut, Control by emerging playwright, Keziah Warner, is a sci-fi show ready to entertain and enthral. Flowing through three different but interconnected stories set sometime in our (not-too distant?) future, Control asks what happens if we don’t pull on the brake of technological development.
Being a teenager is brutal with the nagging parents, unstable friendships, and general boredom of school but it’s all heightened by the raging hormones and overwhelming pressure to figure yourself out as quickly as possible. Jonathan Harvey’s 1993 play is all about teenage angst but with the sparkling joys of love and understanding, too.
Since Hilary Clinton’s loss to Donald Trump in the 2016 US Presidential Election, the distinction between left and right politics and the reporting of each have become increasingly inflammatory and divisive. The Democratic Party have encountered harsh criticism for their inability to play dirty, to not compromise. But what would it look like for the left to try something new? Perhaps something extreme?
The attitude of splitting people into winners and losers is a distinctly American phenomena that inspired Michael Arndt’s screenplay about the Hoover family, a band of misfits fighting against the belief that they are exemplary losers. Adapted into a musical by James Lapine and William Finn, Little Miss Sunshine follows this bland family in their bright yellow VW van from New Mexico to California for the competition of their lives.