While it might not seem that a play about the English Civil Wars and the Putney Debates of 1640s England would have much resonance in 21st century Australia, Caryl Churchill’s framing, even some 45 years after the first staging, see our protests as rehashings of the same concerns of religious freedom, democracy, and social justice.Continue reading →
This review comes from Night Writes guest reviewer Josephine Lee
Wayside Bride is a new Australian play that celebrates the heartaches and beauty of Wayside Chapel in Kings Cross. Around 2016, the playwright Alana Valentine put a call out for stories of people who were married there and, over the years of interviewing, listening and writing, she has created this play. With a mix of verbatim storytelling and time travel, she shines a spotlight on the importance of community and social work in preserving this remarkable piece of Australian history.Continue reading →
The last time Kendall Feaver’s work appeared on Griffin’s stage was the dense and jagged examination of mental illness The Almighty Sometimes. In this new work, Feaver takes on an equally thorny topic of sexual assault on university campuses, as well as the implications for feminism, racism, and the power imbalances that uphold these sacred institutions of knowledge.Continue reading →
Girl in the Machine imagines a future where the messy, complicated, and thankless jobs of care are automated. Sanitised of human contact and compassion, hospitals and medical professionals are obsolete, replaced by a small earpiece called Black Box. Focusing in on one marriage, Stef Smith’s play covers the conflict between technology and human connection, addiction, love, and the philosophy of life.