Sunday in the Park with George | Sydney University Musical Theatre Ensemble (MUSE)

Perhaps you’ve had the experience of being trapped in a conversation with someone emphatically asking, “What does art do? What is the point of it?” Or maybe you’ve been the one doing the trapping. Either way, it became a desperate, high-stakes question when the COVID-19 pandemic began ripping through the art scene in 2020 and Australian artists were hung out to dry without their audiences. And, yet, the question of art’s purpose stretches back centuries, as illustrated in this second production of the year from the Sydney University Musical Theatre Ensemble.

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Carousel | Sydney University Musical Theatre Ensemble (MUSE)

Carousel sells itself as a misunderstood love story: Julie, a respectable yet unusual girl, falls in love with the rough-around-the-edges Billy, a carousel barker with a seedy background. Things are difficult from the beginning as Billy takes out his anger and paranoia around marriage on Julie, until he eventually hits her. In a money-making scheme gone wrong, Billy unexpectedly dies and is given the chance for a redemption arc that requires a supernatural element.

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PARADE | Sydney University Musical Theatre Ensemble (MUSE)

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Image by Keshav Unhelkar

PARADE is a show that fits at the intersection of a few pertinent global discussions: racial and religious persecution, misogyny and violence against women, and a lighter resurgence of American historical musicals. Perhaps the consistent feeling that the political climate of the United States is sliding further and further into the past is calling people to turn to staged political events with clearer moral codes and reliable heros’ journeys. Whatever the reason, director Hayden Tonazzi’s desire to add purpose and meaning to the society’s choice of major production is a commendable one.

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